Skip to main content

Old Man Logan #1 review

There are many great Wolverine stories and writer Mark Millar and artist Steve McNiven's Old Man Logan is absolutely one of them. Despite this new follow-up having the brilliant art team of Andrea Sorrentino and Marcelo Maiolo, it's easy to go into this one with a bit of skepticism. While McNiven's artwork in the original arc was nothing short of stunning, it just wouldn't be as good without Millar's compelling, emotional, and interesting story. Now, Brian Michael Bendis has the difficult task of writing the next chapter in Old Man Logan's life. No pressure, right? Thankfully, he's off to a terrific start and, as totally expected, artist Sorrentino and colorist Maiolo's pages are absolutely breathtaking.
First and foremost, there's no reason to worry if you're not caught up with all that's going on in the Marvel Universe or if you haven't read Millar and McNiven's story. The very first page has an adequate recap of what Secret Wars is all about, as well as a brief and efficient summary of Old Man Logan's tale. Because of the intro page, Bendis is thankfully able to limit the amount of exposition we encounter in this debut issue, and that's a huge plus because Old Man Logan's world is so vast. In the wrong hands, a writer runs this risk of feeling the need to explain everything the reader witnesses in this striking world. But in this case, Bendis does a solid job throwing us into this setting and makes sure the way we learn about this world feels natural and not like it's just infodump after infodump. Whether you're a new reader or a fan of the previous story arc, you're going to get a proper understanding of just how twisted this place has become. He doesn't explore too much of it, but it's just enough to leave us wanting more. And the cliffhanger? It has a ton of potential. Now we just have to wait and see where the writer goes with it. That said, I really, really hope we're not going to spend a majority of time away from this world Millar and McNiven crafted. I can understand the desire not to do "more of the same," but there's still so much to explore and reveal. This is his chance to be creative and add so much more to this place. Here's hoping he does that instead of mostly focusing on crossing over with another Battleworld location.

In addition to this being a story anyone can jump into and enjoy, the handling of Wolverine is great. You can tell the man he once was is still present - the good guy who will fight against all odds to do the right thing - but you can also see just how much this bleak alternate universe has molded him. He's much more violent, harsh, and at times, appropriately coldhearted. It's clear this is a legitimately good and kind person who has been enduring in a vicious and evil place. You'll still root for him, but you can tell this Logan has become far more inclined to let loose and take down any obstacle with some fatal stabs.

Sorrentino's art and Maiolo's colors are incredible. These pages do an amazing job capturing both the beauty and savagery of Old Man Logan's world. One landscape was legitimately gorgeous and it made me drop my jaw. This may be a bloody and dark book, but these two do exceptional work making sure it's also full of beautiful settings and the characters are full of emotion. As for the action, it's phenomenal stuff. Sorrentino's able to put so much intensity into these pages and there's one panel of a truly engaged Wolverine that left me speechless. I simply had to just stare at it and take in just how insanely well this chaotic moment was brought to life. The several close-ups pull you right into the frenzy and allow you to appreciate the brutal and fast-paced nature of the fight. Also, I won't spoil who the scene involves, but there's an entire page from one character's perspective, and the way they reveal who it is and handle how it plays out is especially creative. 

Once again, Maiolo does tremendous work enhancing Sorrentino's artwork with his colors. His tactic of going heavy with white and shades of red during more dramatic scenes still amazes and it brings the moments to a whole other level. No matter what Bendis puts in the script, these two do an exceptional job giving the scene so much depth and they always find new ways to impress our eyes. My only minor criticism of the artwork is that Wolverine's claws occasionally appear to be a little too long. I've always been under the impression they're a foot, but when he's stabbing some people, they appear to go beyond that length. Still, it's a really minor criticism and that didn't take away from just how excellent these panels were.

Old Man Logan #1 is $4.99 and it's worth every single penny. Sorrentino and Maiolo's work is truly phenomenal - any fan of theirs would expect no less from them at this point - and Bendis made sure this issue is exciting yet also informative. It tells us everything we need to know about what makes this version of Wolverine different, reveals just how twisted the world around him has become, and takes some simple yet promising steps towards building a bigger story. A new Old Man Logan comic has finally arrived and it was most definitely worth the wait. Do the smart thing and add this to your pull list.

4.5/5

Comments

Popular posts from this blog

The Death of Superman: Enjoyed it? Buy it.

Written by Gregg Katzman The upcoming DC animated movie The Death of Superman has leaked way before its official release . I'm seeing a lot of positive tweets - some fans are even saying it's their new favorite DC animated movie - and that's not surprising since the movie's written by Peter J. Tomasi ( Superman Rebirth , Batman and Robin New 52 ) and co-directed by Sam Liu ( Suicide Squad: Hell to Pay , Teen Titans: The Judas Contract ) and Jake Castorena (storyboard artist for many great animated projects, like Justice League: Gods and Monsters , Batman: Assault on Arkham , and Beware the Batman ). On one hand, I'm really happy to see such enthusiastic comments about The Death of Superman . Taking on such an iconic story, especially within the confines of a relatively new animated universe's continuity (it started in Justice League: War ), is no easy feat. But on the other hand, I'm concerned that people won't add a digital or physical c

Justice League Dark: Apokolips War - The End of an Era

Seven years ago, the DC New 52 Animated Movie Universe was born. I remember it well because I was lucky enough to attend the world premiere of Justice League: The Flashpoint Paradox  at Comic-Con International 2013. I was writing for Comic Vine at the time, and I absolutely loved the movie. In fact, I liked it so much that I rushed back to my hotel room and began writing my review right away. While so many people at the convention met with friends, networked, and enjoyed being in San Diego on a Friday night, I sat in front of my laptop and started to type away. The Justice League: The Flashpoint Paradox  premiere wrapped up around 9:30pm, and my glowing review was live on Comic Vine just a few hours later. Geoff Johns and Andy Kubert's Flashpoint  comic book event kicked off DC's slate of The New 52 comics back in 2011, but at the time of the animated movie's release, I had no idea that Justice League: The Flashpoint Paradox  would actually spawn an entire universe of

Deadpool 2 review

Review by Gregg Katzman When many people think of Wade Wilson, aka Deadpool, they think he’s basically just a joke character. Lots of fans think he’s just a loudmouth who loves to crack topical jokes while enduring a barrage of bullets and slicing his enemies to pieces, and that’s totally understandable since there are quite a few comics and media appearances that use the Merc with a Mouth for just comedic relief and action scenes. But there’s more to Deadpool than just jokes and violence. The best Deadpool stories always go beyond the comedy and fighting to take a good look at the man behind the mask; the man who uses humor to hide his emotions. Deadpool is a man that can’t seem to obtain true happiness – no matter how hard he tries, it always seems to be just out of reach. Deep down, he thinks he may not deserve real happiness, either. He may not be a traditional hero and always do the right thing, but he always has the potential to rise above and do what needs to be done to s