Comic Book Conversations

"You have failed this city," said no one ever to Batman because he's Batman. "Be the Batman." Rocksteady Studios' marketing campaign for its third - and allegedly final - Batman game recognizes just how much people loved being the Dark Knight in the other Arkham  games. From the jaw-droppingly badass combat to the sheer awe experienced while gliding around an immersive Gotham City, the developer knows fans love stepping in the Caped Crusader's dark boots. Rocksteady also knows fans have incredibly high expectations for their latest project since the previous installments raised the bar for comic book video games. Thankfully, Batman: Arkham Knight  is epic, appropriately moving, and full of fun. The game's story really leaves an impression when it's focusing on delving deep into Batman's mind. Sure, this has been the focus countless times before and we all know the basics about who the Dark Knight is and what made him undergo such

Robin: Son of Batman #1 DC's the New 52 had several memorable story arcs. Stuff like Geoff Johns' time with Aquaman and Jeff Lemire and Andrea Sorrentino's Green Arrow  run immediately come to mind. A number of titles earned a huge amount of praise and understandably so, but one that I believe was underrated is Peter J. Tomasi and Patrick Gleason's Batman and Robin . Sure, the quality jumped around a bit in the middle, but the opening story, Born to Kill , is amazing, and there are several other highlights, like Damian attempting to prove he's the best Robin or even Batman's ridiculously dangerous mission to resurrect his son. Now the title is moving forward without Tomasi and Batman. Gleason is taking over writing and the rest of the visual team (inker Mick Gray and colorist John Kalisz) are sticking around. This is obviously great news for anyone who enjoyed the previous run because it'll welcome them back with familiar visuals and even if the story tak

Old Man Logan #2 By now it should come as no surprise that any comic with visuals by artist Andrea Sorrentino and colorist Marcelo Maiolo is going to amaze your eyes. So, you can bet the duo once again delivers some gorgeous and stunning work in the second issue of writer Brian Michael Bendis' Old Man Logan . The page layouts and angles in the panels capture each moment brilliantly, making these feel delightfully cinematic and the pages breathe so much life into the various heroes and villains. Whether it's a lush jungle or a vivid bolt of lightning, these two make all of the characters, locations, and effects look terrific. Seeing their take on some of my favorite alternate universe characters is a real treat and the visual ride never fails to impress, but it's the last page that'll really drop your jaw. The first issue was paced well and it did a nice job catching up new readers while also offering something original, but this second chapter feels a little too