Skip to main content

Teenage Mutant Ninja Turtles #49 review

*This review is spoiler-free*

Since the very first issue, IDW's Teenage Mutant Ninja Turtles has done an awesome job making this new take on the franchise feel fresh yet also enjoyably familiar. After several strong story arcs (and some excellent limited series, like Secret History of the Foot Clan), you can really tell a whole lot of love and planning went into crafting this new TMNT universe. And issue #49? Yeah, you can tell this one is building up anticipation for the ginormous issue #50 (it's 48 pages!), while also loosely teasing the big plans that'll step forward after the next issue (or even during it?). Oh, and the fact this chapter also manages to throw in plenty of character, exciting action, and great artwork doesn't hurt, either.
Cover by Mateus Santolouco
First and foremost, getting a look at Bludgeon and Koya during some downtime was an unexpected treat. Sure, the two mutants don't receive too much of the spotlight, but it's just enough to show even more why they're basically the polar opposite of Bebop and Rocksteady when it comes to their personalities. While Bebop and Rocksteady have this "goofy best bros" dynamic going on, Koya and Bludgeon seem to have more of a brother and sister relationship, and their personalities are far more fitting for the Foot Clan. The classic and dim-witted duo, Bebop and Rocksteady, have been given plenty of attention in this title (not that I'm complaining, of course), yet it feels like Koya and Bludgeon haven't received that much love, often only appearing in fight scenes or having small remarks here and there. So, while they may not have a standout scene, it is cool we received just a wee bit of insight into the two before we return to all of the action-packed craziness.

Since issue #50 is (presumably) all about the conflict between Shredder and Splinter, this issue wraps up Baxter Stockman's plot pretty swiftly. On one hand, it's a little disappointing his role is tossed aside so quickly - the fiend has a lot of potential, after all. But on the other hand, the conclusion does make sense for him, so it doesn't come off feeling forced or rushed. And, to be fair, the last issue did mostly revolve around the team fighting his swarm. I'd like to see more of him, but his departure here is logical.

To some, this franchise is all about cool mutants, amusing catchphrases, and ninja action. While those things did make me fall in love with the Ninja Turtles when I was younger - and they definitely help keep the stories entertaining - one element is equally important: family. Even though these stories are so surreal and sometimes even silly, this is a franchise that's really about a family who's simply trying to protect each other and the need to stand up against what's wrong. You may not know any mutated turtles who are also ninjas (or DO you?), but the sense of family and a desire to do what's right will always be relatable, and that allows this franchise to deliver some heavy doses of heart... you know, in between all of the fighting. In this issue, there's just enough of that right before a big battle begins, and it's a really satisfying moment. Splinter must be a tough character to write. In the wrong hands, Hamato Yoshi may come off too heavy-handed or corny. Luckily for us, Tom Waltz gets the character and there's a fine amount of emotion that takes place before mutants begin to flip around and dish out all sorts of violence. Without an emotional connection, action can feel meaningless because you just don't care about the combatants. (Well, unless the choreography is brilliant, like in The Raid.) Thankfully, the team behind the story - Waltz, franchise co-creator Kevin Eastman, and editor Bobby Curnow - understand these characters and have made them humanizing. Man, that was a whole lot of words just to say"there's a good family moment in here."
Cover by Kevin Eastman and Ronda Pattison
It may not be as compelling as what's going on with Splinter and his family, but it's great to see Waltz, Eastman, and Curnow decided to flesh out Karai's role even more. She's been a standout character in this series and something tells me her role is going to get even bigger after the next issue. We'll just have to wait and see if that really does happen, but one thing is clear: so far, IDW's done a good job with Karai. Let's hope she continues to capture our attention.

Sweet mother of Michelangelo, this issue has some really enjoyable fighting. Right when it feels like we've reached a cliffhanger moment and all of the popcorn entertainment will be saved for next month, we're thrown right into the madness. It's really tough to discuss this part without giving anything away, so I'll skip the details (just trust me, it's a fun scene) and instead jump to praising a very important reason why the action thrives: artist Cory Smith and colorist Ronda Pattison.

From Mateus Santolouco - who provided the attention-grabbing primary cover - to Sophie Campbell, IDW has been fortunate enough to work with several very, very, veeery talented artists. Their styles may be drastically different, but the decision to often have them work an entire arc prevented the changes in visuals from being jarring, and the distinct styles were often fitting for the story at hand. To top it off, Pattison's been around since the very first issue and doing an incredible job the whole time. Even when the anatomy, environments, and lines may be noticeably different, her attention to each and every panel has given us a feeling of consistency and brought so much more energy and emotion to these pages. Thankfully, she's still bringing it after dozens of issues and the end result is one mighty fine looking comic. The combination of Smith's strong character work, impressive handling of motion, and use of angles really pulls us into these moments, making them feel like they're actually playing out instead of being just static images. Throw in Pattison's impressively consistent coloring - I love how certain moments hit us with bright shades to sell the intensity - and it's safe to say issue #49's pages will leave most eyes feeling fulfilled. Man, I know I said I wouldn't give spoilers, but there's one double-page spread that's just begging to be turned into a poster. The "let's do it!" one also rules. Yes, I enjoyed it so much that I said it "rules." Whether it's a slow, character-driven scene or getting us pumped for action, the visual team delivers.
Cover by Jason Howard
There's one moment in here that made me really, really happy. Obviously, I won't give detail about its but I will say it was a totally unexpected surprise. I'm very excited to see how the team will utilize this new element in an already pretty crowded world - it was also a satisfying follow-up to a tease in a previous limited series. There's a lot going on right now and I'm anxious to see where the conflict with Shredder will go, but this new plot point has me thrilled. Brace yourselves, fan service is coming.

My only (relatively minor) criticism is the cliffhanger doesn't capitalize on all of the excitement nearly as much as it could have. With so many cheerworthy and interesting things going on, the final moments just isn't as gripping as what came before it. I wish I could elaborate here, but for the sake of remaining spoiler-free, let's just say the cliffhanger doesn't have me concerned or feeling like the stakes are truly high right now. But hey, it's a pretty small critique and thankfully everything before it makes up for it and then some. I also wish another dynamic was given more attention (considering something huge recently happened with the family), but maybe we'll see more of that in the next chapter - I certainly hope so.

If you've been following the series or simply love this franchise, this is a phenomenal issue. It's action-packed, has a (literally) huge surprise, and it continues to handle these characters extremely well. Based on the quality of this issue and the ones that came before it, I have a feeling the next issue - which is a whopping $7.99 - will be worth every penny. I won't conclude this review with a cheesy pun (I swear "cheesy" is an unintentional one), but I will end it on a very blunt note: it's clear IDW loves this franchise, and I absolutely love what they're doing with it. So yeah, consider this 30-year-old TMNT fan very happy. Bring on #50!

Comments

  1. Very much looking forward to this. I have 47 and 48 on my nightstand but haven't had the chance to read them yet since work has kind of been a bitch.
    But this sounds like it promises to reinforce why the TMNT are as awesome as they are once again.
    Love this title, glad you convinced me to pick it up in the first place.

    ReplyDelete
    Replies
    1. You're very welcome, Granite. Glad you decided to give it a shot!

      Delete
  2. I love the TMNT!!! BTW does anyone know when the second book of the Welcome Cure Trilogy is supposed to be released on iTunes? I purchased Nefarious The Welcome Cure Trilogy book 1 Ebook on iTunes and it was awesome!!! Quick, fast paced and full of action!!! If you like ninjas, check it out!!

    ReplyDelete

Post a Comment

Popular posts from this blog

The Death of Superman: Enjoyed it? Buy it.

Written by Gregg Katzman The upcoming DC animated movie The Death of Superman has leaked way before its official release . I'm seeing a lot of positive tweets - some fans are even saying it's their new favorite DC animated movie - and that's not surprising since the movie's written by Peter J. Tomasi ( Superman Rebirth , Batman and Robin New 52 ) and co-directed by Sam Liu ( Suicide Squad: Hell to Pay , Teen Titans: The Judas Contract ) and Jake Castorena (storyboard artist for many great animated projects, like Justice League: Gods and Monsters , Batman: Assault on Arkham , and Beware the Batman ). On one hand, I'm really happy to see such enthusiastic comments about The Death of Superman . Taking on such an iconic story, especially within the confines of a relatively new animated universe's continuity (it started in Justice League: War ), is no easy feat. But on the other hand, I'm concerned that people won't add a digital or physical c

Justice League Dark: Apokolips War - The End of an Era

Seven years ago, the DC New 52 Animated Movie Universe was born. I remember it well because I was lucky enough to attend the world premiere of Justice League: The Flashpoint Paradox  at Comic-Con International 2013. I was writing for Comic Vine at the time, and I absolutely loved the movie. In fact, I liked it so much that I rushed back to my hotel room and began writing my review right away. While so many people at the convention met with friends, networked, and enjoyed being in San Diego on a Friday night, I sat in front of my laptop and started to type away. The Justice League: The Flashpoint Paradox  premiere wrapped up around 9:30pm, and my glowing review was live on Comic Vine just a few hours later. Geoff Johns and Andy Kubert's Flashpoint  comic book event kicked off DC's slate of The New 52 comics back in 2011, but at the time of the animated movie's release, I had no idea that Justice League: The Flashpoint Paradox  would actually spawn an entire universe of

Deadpool 2 review

Review by Gregg Katzman When many people think of Wade Wilson, aka Deadpool, they think he’s basically just a joke character. Lots of fans think he’s just a loudmouth who loves to crack topical jokes while enduring a barrage of bullets and slicing his enemies to pieces, and that’s totally understandable since there are quite a few comics and media appearances that use the Merc with a Mouth for just comedic relief and action scenes. But there’s more to Deadpool than just jokes and violence. The best Deadpool stories always go beyond the comedy and fighting to take a good look at the man behind the mask; the man who uses humor to hide his emotions. Deadpool is a man that can’t seem to obtain true happiness – no matter how hard he tries, it always seems to be just out of reach. Deep down, he thinks he may not deserve real happiness, either. He may not be a traditional hero and always do the right thing, but he always has the potential to rise above and do what needs to be done to s