Cover by Natasha Alterici; artwork by Khary Randolph & John Rauch |
VITA AYALA: A
LONG list of things. Most recently, worked in comics retail (for about 10 years),
and night security at a major museum (just shy of 4 years).
GK: When did you
know you wanted to become a comics creator and what inspired you to pursue it?
VA: I have known
I wanted to write since I was in 6th grade. Or rather, I have been writing
stories since I was in the 6th grade. I started with prose, like many do, but
the dream was TV, because I was a latchkey kid who was glued to the tube for
obscene amount of hours a day. In 2012, I was working at Forbidden Planet in
New York City with a buddy of mine (Matthew Rosenberg), and he pushed me to
pitch comics.
GK: How'd you break
into the comics industry?
VA: Matt
Rosenberg introduced me around to everyone he knew in comics, and vouched for
me. That was the foot in the door for me. Also, Steve Orlando has been in my
corner for years, and has brought me on to work with him on some of his books,
which has been a joy. I worked hard to polish my writing (do every time I sit
down at the computer), and was fortunate enough to be given a chance at Black
Mask Studios and through the DC Writer's Workshop. I got to show people what I
could do, and that I could take notes. So hustle, constantly trying to up my
game, and being in the right place at the right time I guess!
GK: If you ever
experience doubts about your choice to create comics, what do you tell yourself
to brush 'em aside and keep moving forward?
VA: Constantly. I
am a very anxious person! I... I guess, I don't. When I was sixteen, I made a
decision to go after what I want, or give up on everything. This is what makes
me happy. I am capable of doing a job, but writing is the dream. Go for broke -
go BIG or go home - because why else bother? Other people in my life, who I
trust and love, tell me that they believe in me. I have very low self-esteem,
but I believe in THEM, so I keep going.
Cover by Klaus Janson and Alex Sinclair |
VA: It was
UNREAL. I reread it like eight times, haha. It was the New Talent Showcase, and
I had a story in it that was illustrated by Khary Randolph. It is beautiful to
look at. I didn't CRY, but I would be lying if I didn't admit to being choked
up. There is that scene in the first episode of CSI (regular CSI) where
Catherine talks to the rookie and gives her the big speech about the rush. I
DEFINITELY felt the rush!
GK: Lots of aspiring
writers seek advice and they're usually told to keep at it and finish what they
begin. What advice can you offer them?
VA: Learn how to
take notes! This is number one for me. VERY few people can hit all the beats on
the first try - learning how to take notes graciously, and how to look at the
spirit of the note (as opposed to just the specific letter) can really make a
HUGE difference. Writing is a solid half RE-writing.
Make friends with your peers. HELP EACH OTHER. Y'all are
coming up together and will be the next generation of creators. Be good to each
other.
If you are asking something of someone, be willing to
reciprocate. And generally, just treat people how you want to be treated. Say
please and thank you.
Write, write, WRITE. Do it like you're running out of time.
Never stop. Carry a notebook and write down all your ideas, even if you think
they are dumb. Write down snippets of conversations. They will be your stories
later.
Cover by Phillip Sevy |
GK: What are the best
and worst part about being an up and coming writer?
VA: Honestly, it
is all kind of amazing. Stressful, but amazing.
GK: What's it like
having a series - The Wilds - on the way from Black Mask Studios? Is the
experience different than working with DC, one of the biggest publishers?
VA: It's amazing.
I feel like a new parent, trying to do everything I can to make sure my kid
gets all the chances they need to shine. Black Mask Studios has been a
publisher I have adored since the Occupy Comics and 12 Reasons To Die days, and
being able to have a book there is a thrill!
Creator owned comics are a different beast than franchise
comics. I love them both!
VA: I check out
reviews from sites/accounts I trust when they come across my TL on twitter, or if
people tag me. I think real constructive criticism is invaluable, and that you
always have something to learn. Abuse is a waste of time - one that I don't
engage with - but honest criticism is a good as praise.
GK: What do you think
is one of the biggest misconceptions about the industry?
VA: That there
isn't room for people and their stories. There is a lot of worry that there is
already a [insert type of person] writer or artist or whatever, so that
position is taken. There is no quota for types of people. I hope that my book
help show that, and that more people - especially people of color, people of
the lgbtq+ community, and ladies - get the bug and storm the industry.
GK: Who do you think
is an underrated comic book character that deserves their own series?
VA: Renee
Montoya, always. Misty Knight, always.
GK: Is there anything
you would like to add about your career and upcoming work?
VA: I hope to
have a single issue coming out every month of the year from here on out if
possible, and hopefully I will have some more books announced soon, but even if
not, I really think The Wilds is something special! People should watch Emily
(Pearson, the artist), because she is a rising star!
GK: Thanks, Vita!
Thanks for reading the
fourth edition of Comic Book Conversations – links for the other ones are
below. Be sure to follow Vita on Twitter and follow me on Twitter for updates
about the site.
Thank you for reading the interview with Vita and I'm glad it provided you with some motivation!
ReplyDeleteTHAT'S MY CUS SO PROUD OF HER.
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