The Legacy of Luther Strode #2 was pretty much one ginormous, over-the-top, and awesome fight scene as Luther, Petra, and Delilah continued their search for Cain. Issue #3 can be described the exact same way, but that doesn't matter all that much because the handling of the characters is solid, and the hectic fighting is jaw-dropping. Seriously, comic book fights don't get much better than this, people.
Time and time again, I've praised Justin Jordan's ability to write dialogue that simply feels natural. The things these characters are saying feels organic and relatable; it doesn't come off like forced displays of emotion or blatantly stating exposition just so the reader knows what's up. There's several instances in this comic where Petra's blunt reactions were basically a reflection of my own; it's great having someone who's also blown away by just how stunning and ridiculous these battles can get. Someone who's constantly spewing insults and cursing with every other word could be obnoxious or the character could get old fast, yet Jordan continues to make me adore Petra. Her response when she realizes which weapons she could have brought? Or her witnessing Shooter's incredible accuracy with guns? Priceless stuff.
While writing the script, there's no doubt Jordan has this comic's amazing choreography playing out very clearly in his head. Luckily for him, artist Tradd Moore and colorist Felipe Sobreiro do an absolutely brilliant job bringing all of the insane and fast-paced mayhem - as well as convincing facial expressions - to life. Jordan makes sure this book has a fun and well-paced script, and Moore and Sobreiro make sure these pages are pure bliss for our eyes. Moore's animated and exaggerated character work feels perfect for Luther Strode's crazy world, and the handling of the motion and impact is phenomenal.
In the last issue, the creative team unleashed a fight with a powerhouse that was loaded with staggering hits. Now, it's all about technique, skill, and agility. In the wrong hands, this fight could have been far too complicated to properly follow. In Moore's hands, everything feels fluid and that he allows us to fully appreciate just how swift and elaborate some of these actions can be - even something like two characters leaping up a stairwell can be easily followed and enjoyed. Throw in Sobreiro's attention-grabbing colors and the end result is pages that'll keep you staring and, eventually, going back just to look at 'em all over again. This art team nails the expressions and they do a satisfying job establishing environments, but once the punches and bullets begin to fly, they produce some truly remarkable panels that are full of energy.
Like I said above, the story here is very, very similar to the previous issue. The group is looking for Shooter, a man who can potentially reveal how to find Cain. While Luther Strode tries to go non-lethal, Petra still has no problem going for fatal shots, and Delilah's pretty much there to assist both characters. Like Petra pointed out in the first issue of this volume, her facing people with these abilities is just no fair, so having Delilah by her side makes things more interesting - not just because she can save Petra from the impressive targets, but also because their personalities are so very different. That said, there are noticeable differences this time around. First and foremost, they've encountered someone similar to Strode. Usually, people like this are out for blood and not exactly the kindest people around. Okay, technically both of those descriptions do apply to Shooter, but what makes him different is that he's an anti-hero - he's using his talents to kill scum, not decent people. Additionally, Delilah still remains a mystery to us (for the most part, that is), but she's starting to show just a little more humanity - it's slow and steady development for the character.
The backup - which is written by Tradd Moore, and has art by Stephen Green and Sobreiro - continues to be a solid, character-driven tale. So much of the worldbuilding has been done through Luther's perspective, so it's refreshing to see how two other people were brought into this bloody and twisted story. It's definitely a nice little dose of fan service for those who have followed along since the first volume, too. (If you're reading Legacy but you haven't read the others, what gives? Go read them!) Green's expressions do the creepy kids justice, and while Sobreiro still has vivid displays of red, purple, orange, and several other colors, you can tell his work is more restrained to better fit Green's style - a style which is drastically different from Moore's energetic panels. Green's work creates a much more haunting and darker atmosphere, and Sobreiro's noticeably different handling of the colors most definitely complements the experience. The story may feel very different than Luther's adventure (and understandably so, of course), but Moore's script makes it still feel like a fitting addition to Luther's vicious world.
The main story technically doesn't move forward all that much, but that's easy to ignore because everything else is just so entertaining. The character insight remains strong, the visuals are thrilling, and the creative approach to all of the chaotic action absolutely makes up for the lack of story progression. I've read this issue 3 times now and I loved it each time - the layouts and dialogue are just that enjoyable. The Legacy of Luther Strode is full of exciting action and personality - what's not to love? This is apparently the last volume with Luther Strode, but I'm pretty sure no one would object to a Shooter spin-off. Let's see more of that dude, please.
While writing the script, there's no doubt Jordan has this comic's amazing choreography playing out very clearly in his head. Luckily for him, artist Tradd Moore and colorist Felipe Sobreiro do an absolutely brilliant job bringing all of the insane and fast-paced mayhem - as well as convincing facial expressions - to life. Jordan makes sure this book has a fun and well-paced script, and Moore and Sobreiro make sure these pages are pure bliss for our eyes. Moore's animated and exaggerated character work feels perfect for Luther Strode's crazy world, and the handling of the motion and impact is phenomenal.
Like I said above, the story here is very, very similar to the previous issue. The group is looking for Shooter, a man who can potentially reveal how to find Cain. While Luther Strode tries to go non-lethal, Petra still has no problem going for fatal shots, and Delilah's pretty much there to assist both characters. Like Petra pointed out in the first issue of this volume, her facing people with these abilities is just no fair, so having Delilah by her side makes things more interesting - not just because she can save Petra from the impressive targets, but also because their personalities are so very different. That said, there are noticeable differences this time around. First and foremost, they've encountered someone similar to Strode. Usually, people like this are out for blood and not exactly the kindest people around. Okay, technically both of those descriptions do apply to Shooter, but what makes him different is that he's an anti-hero - he's using his talents to kill scum, not decent people. Additionally, Delilah still remains a mystery to us (for the most part, that is), but she's starting to show just a little more humanity - it's slow and steady development for the character.
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