Robin: Son of Batman #1
DC's the New 52 had several memorable story arcs. Stuff like Geoff Johns' time with Aquaman and Jeff Lemire and Andrea Sorrentino's Green Arrow run immediately come to mind. A number of titles earned a huge amount of praise and understandably so, but one that I believe was underrated is Peter J. Tomasi and Patrick Gleason's Batman and Robin. Sure, the quality jumped around a bit in the middle, but the opening story, Born to Kill, is amazing, and there are several other highlights, like Damian attempting to prove he's the best Robin or even Batman's ridiculously dangerous mission to resurrect his son. Now the title is moving forward without Tomasi and Batman. Gleason is taking over writing and the rest of the visual team (inker Mick Gray and colorist John Kalisz) are sticking around. This is obviously great news for anyone who enjoyed the previous run because it'll welcome them back with familiar visuals and even if the story takes some missteps, at least we know our eyes are going to receive some lively artwork.
This first issue proves Gleason can handle writing and providing pencils. The story isn't off to the most original start around - it certainly jumps around a bit - but what's important here is the handling of Damian Wayne. Many of us like the character because of his personality and for the most part, Gleason has a good handle on it. A few moments made me smirk and Damian's blunt desire to call everything upsetting him "stupid" was amusing and felt in character for the little dude. This first issue clearly focuses on showing Damian's confident and won't back down from anything or anyone, but behind that arrogance, there's a lot of emotional weight and he's finally going to deal with the twisted things he's done. Now, he's already proven he can be a great hero, but given the events in Batman and Robin and how closely connected he is to his grandfather and mother's work, it's understandable his past would once again feel like a huge weight on his shoulders. Speaking of huge, part of me is left wondering why Damian's Man-Bat, Goliath, looks different than the others. I guess we can just chalk that up to his love for eating and possibly even some of the al Ghuls' experimenting? It's not like the DC universe has weirder things than a muscular and red Man-Bat, after all.
As a reader of the previous run, I'm beyond thrilled to see plot points from Born to Kill are moving forward. There's an amusing play on words ("there appears to be nobody on board") and the villain's opening draws parallels to the previous story. There's a lot of potential here, but this is mostly setup - it's just enough to leave me wanting more. Then again, Born to Kill is also one of my favorite Damian stories, so I'm obviously a little biased here. Aside from that, we pretty much have to wait and see how the rest will be handled. It really is a pretty standard teaser/beginning that happens to be loaded with fan service for longtime readers. Here's hoping the "return" of Nobody will be every bit as emotional and exciting as it should be. There's another arc in here, but once again, it's basically one big teaser. This issue really is all about giving the reader a proper look into Damian's head - who he is and why he must do something about his past - and loosely setting up the bigger picture. To me, the most important element is making sure this feels like Damian, my favorite Robin, and luckily, it does. I love how the opening builds up this mythos with a new villain and then Damian just walks all over the guy with no problem whatsoever. The first splash page managed to put a huge smile on my face - it was great seeing Robin back in the spotlight and acting how he should.
Whether it's bright moments that are filled with fantasy elements or darker displays of horror, Gleason, Gray, and Kalisz deliver visuals that are animated, full of appropriate shades, and do a more than thorough job telling the story with their angles and use of expressions. My only criticism is things get a little too hectic when Goliath leaps into action, but the splash page which follows it is excellent; I love the contrast of the bold Man-Bat and the sky.
Question: What's up with the title jumping from Batman and Robin's $2.99 price tag to $3.99? It's odd the series removes DC's most popular hero (he's out of the picture for now, at least) and raises the price, too. I'm obviously willing to pay the extra dollar for this series, but I figured the price increase is worth bringing up.
Fans of Batman and Robin and/or Damian Wayne will want to pick this up. Thanks to consistently energetic visuals and a clear understanding of who Damian is, Robin: Son of Batman is off to a solid start. It has just enough action, personality, and intrigue to hook you. Now it's just a matter of seeing whether these plot threads will turn into something compelling and thrilling. Thankfully, this Damian Wayne fan is feeling pretty optimistic.
3.5/5
DC's the New 52 had several memorable story arcs. Stuff like Geoff Johns' time with Aquaman and Jeff Lemire and Andrea Sorrentino's Green Arrow run immediately come to mind. A number of titles earned a huge amount of praise and understandably so, but one that I believe was underrated is Peter J. Tomasi and Patrick Gleason's Batman and Robin. Sure, the quality jumped around a bit in the middle, but the opening story, Born to Kill, is amazing, and there are several other highlights, like Damian attempting to prove he's the best Robin or even Batman's ridiculously dangerous mission to resurrect his son. Now the title is moving forward without Tomasi and Batman. Gleason is taking over writing and the rest of the visual team (inker Mick Gray and colorist John Kalisz) are sticking around. This is obviously great news for anyone who enjoyed the previous run because it'll welcome them back with familiar visuals and even if the story takes some missteps, at least we know our eyes are going to receive some lively artwork.
This first issue proves Gleason can handle writing and providing pencils. The story isn't off to the most original start around - it certainly jumps around a bit - but what's important here is the handling of Damian Wayne. Many of us like the character because of his personality and for the most part, Gleason has a good handle on it. A few moments made me smirk and Damian's blunt desire to call everything upsetting him "stupid" was amusing and felt in character for the little dude. This first issue clearly focuses on showing Damian's confident and won't back down from anything or anyone, but behind that arrogance, there's a lot of emotional weight and he's finally going to deal with the twisted things he's done. Now, he's already proven he can be a great hero, but given the events in Batman and Robin and how closely connected he is to his grandfather and mother's work, it's understandable his past would once again feel like a huge weight on his shoulders. Speaking of huge, part of me is left wondering why Damian's Man-Bat, Goliath, looks different than the others. I guess we can just chalk that up to his love for eating and possibly even some of the al Ghuls' experimenting? It's not like the DC universe has weirder things than a muscular and red Man-Bat, after all.
As a reader of the previous run, I'm beyond thrilled to see plot points from Born to Kill are moving forward. There's an amusing play on words ("there appears to be nobody on board") and the villain's opening draws parallels to the previous story. There's a lot of potential here, but this is mostly setup - it's just enough to leave me wanting more. Then again, Born to Kill is also one of my favorite Damian stories, so I'm obviously a little biased here. Aside from that, we pretty much have to wait and see how the rest will be handled. It really is a pretty standard teaser/beginning that happens to be loaded with fan service for longtime readers. Here's hoping the "return" of Nobody will be every bit as emotional and exciting as it should be. There's another arc in here, but once again, it's basically one big teaser. This issue really is all about giving the reader a proper look into Damian's head - who he is and why he must do something about his past - and loosely setting up the bigger picture. To me, the most important element is making sure this feels like Damian, my favorite Robin, and luckily, it does. I love how the opening builds up this mythos with a new villain and then Damian just walks all over the guy with no problem whatsoever. The first splash page managed to put a huge smile on my face - it was great seeing Robin back in the spotlight and acting how he should.
Whether it's bright moments that are filled with fantasy elements or darker displays of horror, Gleason, Gray, and Kalisz deliver visuals that are animated, full of appropriate shades, and do a more than thorough job telling the story with their angles and use of expressions. My only criticism is things get a little too hectic when Goliath leaps into action, but the splash page which follows it is excellent; I love the contrast of the bold Man-Bat and the sky.
Question: What's up with the title jumping from Batman and Robin's $2.99 price tag to $3.99? It's odd the series removes DC's most popular hero (he's out of the picture for now, at least) and raises the price, too. I'm obviously willing to pay the extra dollar for this series, but I figured the price increase is worth bringing up.
Fans of Batman and Robin and/or Damian Wayne will want to pick this up. Thanks to consistently energetic visuals and a clear understanding of who Damian is, Robin: Son of Batman is off to a solid start. It has just enough action, personality, and intrigue to hook you. Now it's just a matter of seeing whether these plot threads will turn into something compelling and thrilling. Thankfully, this Damian Wayne fan is feeling pretty optimistic.
3.5/5
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